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	<title>Comments on: The Eternal Return of the Dark Past</title>
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	<description>better than wikipedia</description>
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		<title>By: The Noir Protagonist With Reference to Neo-Noir and Gone Baby Gone (2007) &#171; Wonderbread</title>
		<link>http://www.pleasantfluff.com/2008/10/23/the-eternal-return-of-the-dark-past/comment-page-1/#comment-26</link>
		<dc:creator>The Noir Protagonist With Reference to Neo-Noir and Gone Baby Gone (2007) &#171; Wonderbread</dc:creator>
		<pubDate>Sat, 11 Jul 2009 09:04:50 +0000</pubDate>
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		<description>[...] Johnson&#8217;s 2005 indie-film Brick, also, is set in ever-sunny early &#8217;90s California, and thus bears almost none of the [...]</description>
		<content:encoded><![CDATA[<p>[...] Johnson&#8217;s 2005 indie-film Brick, also, is set in ever-sunny early &#8217;90s California, and thus bears almost none of the [...]</p>
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		<title>By: baileysmith</title>
		<link>http://www.pleasantfluff.com/2008/10/23/the-eternal-return-of-the-dark-past/comment-page-1/#comment-25</link>
		<dc:creator>baileysmith</dc:creator>
		<pubDate>Thu, 23 Oct 2008 10:33:23 +0000</pubDate>
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		<description>And another thing: After proof-reading a draft of this post and giving a wee bit of critical feedback, good friend and fellow Wonderbread editor Martin Kingsley told me that he wanted to hear a little bit more about the post 9/11 teen culture that I flippantly mention in the final paragraph. I pretty much just told him what I thought about this, and he instructed me to copy and paste my comments into the piece, because they were what he wanted to hear. I thought that might interrupt the structure (as loose as it is) of the article though, so I&#039;ve simply put them below, as a post script.

&lt;strong&gt;My prompted thoughts on Sep. 11:&lt;/strong&gt;

&lt;em&gt;I think it&#039;s affected youth in the same way that every hostile political climate in American history has...Cold War, Vietnam...only difference is I think today&#039;s youth is just more well-informed and more desensitized, simply because of where they are in history. We&#039;re at a stage where nothing much is taboo or kept from kids...there&#039;s an openness to American culture now that is neither good nor bad...it just is.

And I think teenagers are generally always the go-to group when you&#039;re after the effects and status of any given culture, because they are both impressionable and impressive and they are the signifier of where the next generation is going.&lt;/em&gt;</description>
		<content:encoded><![CDATA[<p>And another thing: After proof-reading a draft of this post and giving a wee bit of critical feedback, good friend and fellow Wonderbread editor Martin Kingsley told me that he wanted to hear a little bit more about the post 9/11 teen culture that I flippantly mention in the final paragraph. I pretty much just told him what I thought about this, and he instructed me to copy and paste my comments into the piece, because they were what he wanted to hear. I thought that might interrupt the structure (as loose as it is) of the article though, so I&#8217;ve simply put them below, as a post script.</p>
<p><strong>My prompted thoughts on Sep. 11:</strong></p>
<p><em>I think it&#8217;s affected youth in the same way that every hostile political climate in American history has&#8230;Cold War, Vietnam&#8230;only difference is I think today&#8217;s youth is just more well-informed and more desensitized, simply because of where they are in history. We&#8217;re at a stage where nothing much is taboo or kept from kids&#8230;there&#8217;s an openness to American culture now that is neither good nor bad&#8230;it just is.</p>
<p>And I think teenagers are generally always the go-to group when you&#8217;re after the effects and status of any given culture, because they are both impressionable and impressive and they are the signifier of where the next generation is going.</em></p>
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