http://www.pleasantfluff.com/2009/07/01/hard-boiled-detective-fiction-and-film-noir-the-cultural-depiction-of-the-death-of-the-american-dream/ better than wikipedia Tue, 01 Jun 2010 21:29:58 +1000 http://wordpress.org/?v=2.8.1 hourly 1 http://www.pleasantfluff.com/2009/07/01/hard-boiled-detective-fiction-and-film-noir-the-cultural-depiction-of-the-death-of-the-american-dream/comment-page-1/#comment-50 Serialized Noir: The vulnerable interior of television | Wonderbread Mon, 13 Jul 2009 09:33:39 +0000 http://pleasantfluff.wordpress.com/?p=750#comment-50 [...] will note that such a premise could well be fitted to The Maltese Falcon or Chinatown: the disturbing journey of a private investigator, living in the consequences of a [...] [...] will note that such a premise could well be fitted to The Maltese Falcon or Chinatown: the disturbing journey of a private investigator, living in the consequences of a [...]

]]> http://www.pleasantfluff.com/2009/07/01/hard-boiled-detective-fiction-and-film-noir-the-cultural-depiction-of-the-death-of-the-american-dream/comment-page-1/#comment-47 The Noir Protagonist With Reference to Neo-Noir and Gone Baby Gone (2007) « Wonderbread Sat, 11 Jul 2009 08:53:00 +0000 http://pleasantfluff.wordpress.com/?p=750#comment-47 [...] of the professional identity of the detective–observable, for example, in such noir films as The Maltese Falcon (1941), Murder My Sweet (1944) and Out of the Past (1947)–ends in the figure of Mike Hammer [...] [...] of the professional identity of the detective–observable, for example, in such noir films as The Maltese Falcon (1941), Murder My Sweet (1944) and Out of the Past (1947)–ends in the figure of Mike Hammer [...]

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